Million Mile Stories

I have flown a million miles over the past 31 years. As the miles accumulated so did stories of airports and airplanes. One of them, now part of family lore, involved a plane departing with my  child but without me. 

There are two other unforgettable stories about one airport in particular, the old Hong Kong Kai Tak International. It closed 20 years ago, in 1998, after serving the city for 73 years. In the late 1980s we used it for three years to fly from the U.S. to our home overseas in Singapore. It was a 24 hour trip from Denver, Colorado with layovers in California and Hong Kong before landing at Singapore’s Changi Airport.

One decade and two international moves later, a chance encounter with a contemporary oil painting transported me back to the first, spectacular, pulse-racing landing we made into Hong Kong.

In 1999, an overseas friend, who is a Brazilian artist, held a gallery showing of her oil paintings in Taipei, Taiwan. Strolling the array of artwork, I saw the title “Rooftops” next to a large canvas. Looking from the title to the painting, something shivered through me. Art is supposed to create emotions like this. When I looked again, I had a visceral flashback to 1987, the summer we left Colorado and moved to southeast Asia.

In the years since Taiwan, “Rooftops” has hung in our home in the “altstadt” in Oberursel, Germany, later above an elaborately carved marble fireplace in Paris, and now in the living room of an apartment in Princeton, New Jersey.

Neither of our children understand why I love this painting. One summer, our son Adam stayed in Taipei to work while the rest of the family was on home leave. He disliked it so much that he removed it from the wall and stashed it out of sight until August.

Adam was only 5, 6, and 7 years old during those early years overseas. He doesn’t remember what made this particular piece of art “real” for me. Or why I keep dragging it around the world to hang in a place of prominence in our homes.

Hong Kong’s Kai Tak International was a city airport in the midst of densely populated Kowloon. There were mountains and hills and multi-story apartment buildings surrounding it. The runway protruded into the sea. Reclaimed land kept extending its’ length as airplanes grew bigger. 

kai tak runway into kowloon bay

But there was something even more remarkable about it than just longevity. Pilots of all airlines regarded it as one of the most difficult airports in the world to land a jet smoothly and safely. Because Kai Tak was renowned for its’ challenging, hair-raising approach to the runway. For a spectator on the ground witnessing jumbo airliners land was eye-popping entertainment. As a passenger in a window seat–it took my breath away.

45 degree turn to runway
landing approach into kai tak
skimming rooftops part of a normal day

One commercial pilot with 30+ years of experience remembers, “As a pilot, it was totally unique. It was the only major airport in the world that required a 45-degree turn below 500 feet to line up with the runway, literally flying between the high-rise buildings, passing close to the famous orange and white checkerboard as you made that final turn toward the runway.”

making the turn with checkerboard marker
night time view of landing pattern

With two sleeping children who were oblivious, I watched with my forehead pressed against the window while the pilot executed that sharply arced turn to align with the runway. As the engines decelerated, the fuselage and wings seemed to barely skim the flat tops of square-shaped apartment buildings–block after block after block of them. In slow and slower motion, I looked down onto rooftops, laundry flapping on clotheslines, children playing, and Chinese faces with features easily distinguishable, turned upward. It was a bird’s eye view teeming with life. 

Landing at Kai Tak was tricky partly because of a prominent hill blocking what would normally be a straight-on approach to the runway. Another daunting reason for a truly “white knuckle” landing was inclement weather.

A Cathay Pacific pilot reflects, “This [landing on runway 13] was quite a challenge, especially in strong wind conditions. As Cathay pilots, we had plenty of practice and became very adept at flying the approach…but it was quite a challenge for pilots from other airlines, especially in the more demanding flying conditions, as they might only come into Kai Tak once a year.”

Wind was one very big problem. Rain and low ceiling cloud cover were another. Because of the unique approach over the city,  it was important for pilots to have a good view of the runway in order to avoid overshooting the turn on the approach.

A retired pilot recalls watching unsuccessful landings from the ground. “Being at the Kai Tak car park watching airplanes land in heavy rain could be very worrying. The pilots could not see the runway, and landing over Kowloon, you had to be visual with the runway. Some [pilots] seemed to wait a little longer than others before they aborted the landing and went around for another go. Some would appear out of the low clouds on the approach path, then power up and vanish back into the clouds.”

Another year I was traveling alone back to Singapore via Hong Kong.  The descent began in extremely foul weather. There was rock and roll turbulence, heavy rain, and no visibility as we neared the airport. Everyone strapped in, no rooftop views, just a wish and a prayer to be on solid ground. The plane angled and tipped drastically with a big “bump”. Suddenly, the engines powered into high acceleration as the nose pulled upward sharply. We were pinned back in our seats, gripping armrests. The cabin was silent. No explanation from the flight deck. We swung around for another try. 

circling for another try

Vivid memories tie me to that now defunct airport of crazy turns, aborted landings, and inhabited rooftops appearing like colorful concrete terraced gardens in the sky.

rooftops like gardens in the sky

And that is why a painting always hangs on a wall of our home depicting blocky, geometrically aligned squares and rectangles in colors of red, blue, yellow, green, and mustard brown.

“rooftops”, painted by heloiza montuori, 1999

The other story, mentioned as family lore, has tried to remain buried at the bottom of mothering mistakes. But it is the one our son most definitely remembers. In today’s world of air travel the same series of circumstances would never happen again. It was bad enough 30 years ago.

Our first home leave trip was not until 1989, the second summer away from the U.S. I made the trip alone with the children, husband coming later. Four-year old daughter did not sleep for the interminable hours from Singapore to Hong Kong to California to Arizona where we had one final flight before meeting grandparents in Iowa.

She passed out in deep slumber as we landed at the Phoenix airport. There was no plane change, simply a one-hour layover to pick up additional passengers and a new crew. I asked the flight attendant if I could leave soundly sleeping child to run into terminal and make a phone call about our very delayed arrival to Des Moines.

Taking seven-year-old son, we disembarked and found the pay phones. Twenty minutes later we were back at the gate.

The jet-way door was locked. The plane was no longer there.  A new crew had boarded quickly and, because the flight was well behind schedule, a decision was made to depart right away. I went into panic mode, pleading that my child was asleep in the back of the plane. IT COULD NOT POSSIBLY HAVE LEFT! The flight attendant who had [minutes before] agreed to my brief leave-taking “forgot” to mention sleeping child. The gate agent told me it was too late, the plane was in the sky.

In actuality, the plane taxied to the departure runway, was cleared for take off and began acceleration. As a new crew member prepared to take her jump seat, she discovered a small girl in the back of the plane with no adult nearby. A hasty call to the flight deck and jet engines were powered down seconds before lift off. The plane returned to the gate.

I did not look at the faces of the other passengers as I re-boarded, holding tightly to the hand of the child with me. I knew they were appalled at the situation and angry about the delay.

In the long walk to the back of the plane, I focused only on the shining face of my now awake child, eyes blinking and small blond head bobbling back and forth above the seat, calmly wondering what was going on.

Two stories–one of a plane swooping low over flat rooftops teeming with life, the other of a plane that left the gate…early.  A painting reminds me of one. A heart-stopping memory will not let me forget the other.

Both are reminders that life unfolds as a collection of stories–some of them expand the world we know, as when we see or do something extraordinary, and others remind us there is a world of unexpected, too.

Somewhere in between is where we live.

Becoming a Casual Animal

…Every one of us is called upon, perhaps many times, to start a new lifeto embrace one possibility after another…that is surely the basic instinct…

Barbara Kingsolver, High Tide in Tucson

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In 1989 Ray Oldenburg coined the term “third place” to define an essential zone separate from home and the people you live with [“first place”] and work [“second place”]. Third place is your hangout, an informal social space with no dress code and a welcoming vibe that invites you to return again and again.

A third place is also one’s anchor to community life. You are drawn to it because it is socially fun, playful, and light-hearted. It’s where you go to chew the fat, discuss issues, ventilate, play games, or get to know someone.  It is “…where you relax in public, encounter familiar faces and make new acquaintances.”

Third place is like pitching a tent in your back yard. It is home away from home.

When life opportunities create a geography change and your third place is left behind, it’s important to find a new one. And if what you are looking for can’t be found after searching, a creative instinct might emerge “…to start a new life…to embrace one possibility after another”.

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This is Kyle’s story. He grew up in Kansas, in the heartland of America. From the age of five, he began drawing images–people, animals and made up characters. Riding in the car during family vacations, he drew the storylines from books-on-tapes while the rest of the family listened. While still a high school student, Kyle knew he would pursue an artistic course of study at university. He graduated in Fine Arts and Graphic Design.

In 2006, Kyle’s first job took him away from home and long-term friends to Fort Collins, Colorado. He started out living in the basement of a relative’s house. It was isolating for a young man. He needed friends his own age and a place to socialize with them.

A booming craft beer industry was the catalyst for many microbrewery openings in Fort Collins. Kyle found his “third place”, along with a friendly social circle, in the evolving scene.

Later, in a widening circle of mutual friends, Kyle met Lara. They enjoyed camaraderie in the breweries, but also shared a strong sense of community service. Together they coached Special Olympic basketball and softball for disabled adults.

When Lara accepted a new job in another state, Kyle’s mother said, “I thought he would never leave Colorado. So when he followed Lara to Kansas City, I knew she was the one he would marry.” They did.

In 2014, the craft brewery scene in Kansas City, Missouri was not as mature as the one left behind in Colorado. Lara and Kyle searched but couldn’t find the social environment they were looking for in their new hometown.

Creative “can do” instincts took over. Kyle had experimented with beer making in the past. Now he became serious, bought equipment, and began home brewing in the basement. He went to weekend fairs, gave away samples, and won some tasting competitions, too. Feedback was consistent and positive.

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He read book after book about the chemistry of beer making, industrial brewing equipment, hops and grains and flavor additives as well as how to open a small business. He enrolled in the American Brewer’s Guild Intensive Brewing Science and Engineering program. The final weeks of coursework were on site brewing in Vermont.

Kyle befriended local KC brewers by cold calling them. He volunteered to work one day each week to help them brew commercial batches. He gained knowledge and a warm welcome into the community of micro-brewers. By now an idea was actively fermenting.

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official logo, designed by kyle

Over the next couple of years, Kyle and Lara drafted a business plan, found real estate property to buy, cultivated investors, and a bank loan. In a former commercial garage space, Kyle designed a back-of-the-house brewery with a front-of-the-house taproom. Doing most of the interior construction, alongside family members who pitched in time and expertise, Lara and Kyle founded a craft brewery on the principle of creating a social community space and then giving back to it.

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kyle and his dad building the deck

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lara after new equipment installation

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In early February 2018, Casual Animal Brewing Company opened its’ doors at 1725 McGee Street in the Crossroads area of downtown Kansas City, Missouri. Their signature motto is: “Laid back beers that tap into your wild side.”

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1725 McGee St, Kansas City, Missouri

Casual Animal runs eleven full taps. Each has its’ own beer style, name, and an original logo of Kyle’s design. Animals are a recurring theme. Names are metaphorically linked to the style of brew. Customer favorites include Chaos Monkey [a banana cream pie ale], to Honey Wheat light ale, Nomo Rhino IPA, Branch Out Stout, and Hop The Fence IPL.

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one “flight” is 5 tasting choices

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menu changes by popular requests and brewer’s creative recipes

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full house

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front door opens weather permitting

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casual animals hanging out

Tying into Kyle and Lara’s commitment to community service, Casual Animal taps into the ethic of “giving back” by designating a rotating beer called Local Motive. The beer style changes quarterly along with the charitable organization the staff votes on to support. Two dollars of every pint of Local Motive sold is donated. In-house events promote the spirit of the current charity.

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brut IPA featured for one local motive promotion

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designed by kyle–graphics and artwork for quarterly local motive tap

The most recent charity promotion was the Kansas City Pet Project, a nonprofit pet shelter that guarantees every stray animal a home. Kittens and puppies were brought into the brewery for customers to play with and cuddle. A completely contagious combination–adorable baby animals plus eleven beer styles equals fun AND donation success!

Unless you are a real brewer, all there is to know about the process of grain and hops and water turning into deliciously drinkable beer is the basics of what happens in Casual Animal’s back room. Inside a series of huge shiny stainless steel tanks,  Kyle’s chemistry know-how is mixed with the help of fermentation, time…and recipe magic.

Hot Liquid Tank water is piped into the Mashtun Tank where grains are mixed together and cooked. Next, this mash up is transferred to the Brew Kettle where hops [and sometimes other flavors] are added. After time in the Kettle, the liquid is piped into the Fermenting Tank, leaving behind all the grain residue. Now yeast is added and fermentation begins. This takes approximately two weeks depending on the kind of beer. From the Fermentation Tank, beer is transferred to the Brite Tank for carbonation and clarifying. And finally, kegs are filled and stored in the massive walk-in refrigerator that feeds the taps at the front-of-the-house. 217 gallons of beer per brew.

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walk in refrigerator with full kegs

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keg feed from refrigerator to taproom

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looks like this on the other side

Cycle complete. As for the magic? Well, every time I sip Casual Animal’s velvety dark nitro stout, it’s easy to believe in magic.

When I asked Kyle to talk about his favorite beer tastes, he said, “Well, it depends on the day. On cold, snowy days, I would say smooth, slight malty sweetness, and roast-y to describe a tasty pint of Nitro Stout. Other days it might be an IPA with resin-y, fruity, and bitter characteristics imparted by the hops. Now, is anyone thirsty?”

There is passion and precision in Kyle’s word selection that describes every beer Casual Animal makes. That same passion speaks of a man who dreamed of possibilities and pursued them with intense preparation. And labor. And love.

The truth is, when Kyle couldn’t find his “third place”–he built one.

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…Let me be a good animal today. Let me dance in the waves of my private tide, the habits of survival and love…–Barbara Kingsolver, High Tide in Tucson

Casual Animal Brewing Company, 1725 McGee St., Kansas City, Missouri 64108

www.casualanimalbrewing.com

Instagram and Facebook: Casual Animal Brewing Co.

On 10-10-18, Lara and Kyle produced a new brand of casual animal sweetness and introduced her to the world. Welcome Sloan Kasey!

Home Is Where You Are, Even Overseas

A new experience can be extremely pleasurable, or extremely irritating, or somewhere in between, and you never know until you try it out. 
―Lemony Snicket, The Blank Book

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artist rendition of singapore, 1980s

There are myriad ways to experiment with life. Moving away from the known or familiar is one way to keep things interesting. Finding enriching friendships is another.

In the late 1980’s, a new job opportunity nudged our family geographically away from the comfort zone in middle class America. Our two children were young and adaptable. As the decision-making adults we took a chance–letting go of two jobs, two cars, a house in the ‘burbs of Denver, Colorado. Just for a couple of years. We moved to Southeast Asia.

From the beginning, everything we saw, smelled, ate, drank, or experienced in those first years in Singapore laid the foundation for what followed over the next three decades. We moved to four other countries. Singapore was the catalyst to keep experimenting.

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Singapore when we moved there, 1987

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shop row, late 1980s

My husband remembers pacing the aisles of the airplane as we flew there for the first time, children sleeping peacefully, worrying about what he had wrought on our family. How would we adapt a very American lifestyle to this small, tropical, island state with three predominant cultures–Chinese, Malay, and Indian?

Actually, it was easier than we imagined. Because of the people we met, the friends we made–living a little off balance and learning to experiment became the new norm. The first important overseas experience happened after I met Jan.

Jan was an operating room nurse–we had that in common–who left her job to follow a husband to work in Germany and then Singapore. We both missed the camaraderie of our co-workers and the hospital environment. Here we were, in a foreign country, unable to work professionally. It was time to find something else to do.

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still a lot of bicycles in 1987, singapore

There was a refugee camp located in a former British barracks on Hawkins Road in the Sembawang area of Singapore. It was established after the fall of Saigon in 1975 for Vietnamese “Boat People”. Because Singapore did not accept refugees, this camp was a transit stop before deportation to countries accepting them. Volunteer nurses were needed. Jan signed us up. We took long bus rides to the north of the island to work in the clinic. Giving immunizations, tending injuries, dressing wounds, treating minor illnesses in men, women and children who usually spoke no English, but knew how to smile in gratitude. A steady influx of refugees created long lines of those needing help. I jumped feet first into learning the risks that other people take, too.

Friendship with Sandy provided something different. She was also an American nurse who moved to Singapore with a husband and three children several years before we did. It didn’t take long for her to start a business by filling suitcases with wholesale women’s clothing made in Hong Kong and selling them out of her home. Clothing in Singapore in the ‘80s was available only in small Asian sizes and styles. Non-Asian women were an eager and ready market for her niche.

Sandy’s home was a cozy, eclectic mixture of styles and textures that I loved. When I asked where she found certain pieces of furniture or funky artifacts, she said, “We should go Kampong shopping.”

The word “Kampong” is from the Malay language, meaning village. Throughout Singapore’s early history, and well into the 20thcentury, kampongs were settlements of houses and small shops where the indigenous population lived. Initially, huts were built with palm-thatched roofs designed to let the air pass through and temper the heat of tropical sun. Later, wood and zinc replaced thatch which seemed exotic but actually leaked horribly in monsoon rains and housed centipedes and other creepy crawlies that dropped down from overhead.

The kampong communities were close-knit, doors left open, children of Chinese, Malay, Indian, and Eurasian culture played together seamlessly. Rainwater was collected. Cats, dogs and chickens roamed in co-existence. Later, generators that sometimes worked brought electricity.

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map of known singapore kampong locations

Colonial British government began addressing overcrowding and poor hygienic conditions within the kampongs in the early 1900s. Public housing began in earnest after WWII as the Singaporean population rapidly increased.

In 1960 (prior to independence in 1965), the Housing Development Board [HDB] was established to further urban renewal. Mass demolition of shop houses and kampongs began to build affordable, low cost, high-rise, housing estates for all Singaporeans. HDB flats led to the creation of “new towns” throughout the island.

Transition from kampong living to government sanctioned housing flats allowed people to easily enjoy clean water, electricity and gas. However, life changed dramatically in the sense of decreased community spirit, less neighbor interaction, and a population of children who grew up playing on concrete, not in nature.

By the time we moved to Singapore many kampongs had been partially bulldozed or completely razed as residents moved on to modern living. Tropical heat, humidity, and prolific vegetation growth from daily rains rapidly invaded and took over abandoned sites.

Sandy knew locations of deserted kampongs where, if you dared to venture into the overgrowth of tenacious weeds and jungle vines, dodge snakes and crawling things, repel dengue-fever-bearing mosquitoes, you could unearth left behind possessions with potential for renewal and use.

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in the jungle, 1988-’89

It was the Singapore equivalent of an archeological dig, with a recycling component. Here we witnessed the life of a community after the community had moved on.

Kampong shopping was always a dirty, sweaty proposition of hunting, excavation and fun. Rewards were in the discovery. We found crocks used for storing water, oil or food, incense burners, altar tables, tea pots, baskets, dragon pots, glass jars, marble lamp bases, teak tables, a wooden kitchen cabinet with rusted screens. We hauled our “treasures” home and spent hours cleaning or refinishing them. They functioned as decorative or usable artifacts, with a back story.

Then there was my Singaporean friend, Mary, who lived in the apartment building next to ours.  She was a tiny woman who loved food–as culturally important to her as Chinese matrilineal family hierarchy. Mary would call me on the phone and say, “I’m picking you up to go eat!” The food in Singapore was, and still is, phenomenal. This is the country where my taste buds learned to crave anything spicy. Mary was my guide.

We ventured all over to her favorite “Hawker Centres”–informal, open-air food stalls specializing in Chinese, Malaysian, Indonesian, or Indian food. Cooked on order, on site, eaten with chopsticks while sitting on plastic stools at plastic tables on the sidewalk.

I tasted Nonya Laksa [Laksa Lemak] for the first time at Peranakan Place on Orchard Road–a spicy noodle soup in curried coconut broth with prawns and a quail egg. Carrot cake [Chai tow kway] is not cake and not carrots, but a favorite hawker dish of mine. Steamed white radish and rice flour cut into cubes and fried with garlic, eggs, preserved radish and other spices. Whatever Mary ordered I ate, sweated through, and loved.

Singapore was the beginning of making friends who lived as we did, away from the usual, outside the familiar. People who said “yes” to living outside of the box.

I thrived in our international moves because of every friend I made. Sometimes it was hard to leave one place to rebuild relationships in the next. But the easy part was sustaining those friendships. Because we experimented in everything together.

Creating relationships and life lessons is really what overseas living is about. In such a nomadic lifestyle, the key is making a home where you embrace friends as family. Anywhere in the world.

 

A REASON, A SEASON OR A LIFETIME

When someone is in your life for a REASON, it is usually to meet a need you have expressed. They have come to assist you through a difficulty, to provide you with guidance and support, to aid you physically, emotionally, or spiritually. They are there for the reason you need them to be. Then, without any wrongdoing on your part, this person will say or do something to bring the relationship to an end. Sometimes, they die. Sometimes, they walk away. What we must realize is that our need has been met, our desire fulfilled; their work is done. The prayer you sent has been answered. Now it is time to move on.

 Then people come into your life for a SEASON, because it is your turn to share, grow, or learn. These people bring you peace or make you laugh. They may teach you something you have never done. They give you an unbelievable amount of joy. It is real, but only for a passing season.

 LIFETIME relationships teach you lifetime lessons, things you must build upon in order to have a solid emotional foundation. Your job is to accept the lesson, love the person, and put what you have learned to use in all other relationships and areas of your life.

–author unknown

 

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sandy’s teak kampong table

 

For another story about friendship and Singapore lore check this link: Cocoa Cake With My Curry, Please

Leaving Paris and Hemingway

It has been several months between blog stories while we packed up our life after 31 years overseas and repatriated home. Now there are new jobs to learn and new geographies to explore on the east coast of the U.S. And while there are still overseas adventures to share, this is my farewell to eight years in Paris.

If ever a city were designed to distract us from our troubles, it would be Paris.–Thomas Jefferson

If you are lucky enough to have lived in Paris…then wherever you go for the rest of your life, it stays with you, for Paris is a moveable feast. –Ernest Hemingway

When I read The Old Man and the Sea as a student, I found it dry as dust. Decades later, after devouring A Moveable Feast, Hemingway’s memoir to first wife Hadley set in 1920s Paris, our lives intersected more personally. Because I was living there.

My “earnest” infatuation with all things Hemingway began in 2010. It was more than literary interest. I walked up and down streets of the 5thand 6thArrondissements (neighborhoods) seeking addresses transcribed into my pocket-sized black moleskin notebook. I found the location of every apartment, restaurant, bar, and café where Hemingway was known to have lived, eaten, slept, talked, consumed alcohol, or written. More than 90 years later, in cafés where he nursed a single café crème for hours to keep his table and construct that “one perfect sentence”, I sat and read his books.

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The first apartment where he and Hadley lived until the birth of their son, Jack, is marked with a plaque outside the entry door on rue du Cardinal Lemoine. The studio apartment he used for writing was around the corner from Place de la Contrascarpe on rue Descartes. He carried bundles of sticks up six flights of stairs to burn in the fireplace for winter heat.

Hemingway crossed through the Luxembourg Gardens, often passing by La Fontaine de Médicis, on his way to meet Gertrude Stein at her apartment on rue de Fleurus for conversation and counsel before the unfortunate rupture of their friendship.

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la fontaine de médicis, jardin du luxembourg, paris

He borrowed books and talked with other struggling writers at the Shakespeare and Company bookstore owned by Sylvia Beach on 12, rue de l’Odeon. Sylvia lent him money, when he was hungry, along with the books. Today, the original Shakespeare is a clothing boutique.

After WWII, Shakespeare and Co. re-opened across the river from Notre Dame. The owner, George Whitman, eventually passed it on to his daughter, Sylvia, named after Sylvia Beach. Under Sylvia Whitman, Shakespeare now encompasses two storefronts plus a café.

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notre dame paris

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shakespeare and company, 37 rue de la bûcherie, 75005 paris

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george whitman passes the torch to daughter sylvia in 2004

When Hemingway began an affair with Hadley’s girlfriend, Pauline Pfeiffer, the marriage sadly ended. After marrying Pauline, they lived on rue Férou near Saint Sulpice church. In this apartment he wrote A Farewell to Arms.

I read stories of the bar at the Ritz Hotel where Hemingway, F. Scott Fitzgerald and others convened for hours on end. Since Hemingway was a regular there for 30 years, and the bar was eventually named after him, it was on my list to know.

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Actual discovery did not begin until our last year in Paris due to an extensive four-year renovation of the entire Ritz infrastructure. Toward the end, a roof fire created even more delays before the reopening.

Bar Hemingway, a very small space in the Ritz footprint, has it’s own unique history. In the early 1920s, it began as a ladies bar or “steam room”, followed by a poets’ bar, and then a writers’ bar called Bertin’s. Bertin was a friend of Hemingway’s who gave him gambling tips. And more than a few free drinks. Ernest was a man who often counted on the generosity of others.

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In 1979, Mohamed Al-Fayed (owner of Harrods, London) bought the Paris Ritz. That same year, Hemingway’s family officially named the “Hemingway Bar”. Three years later it closed for the next twelve years, 1982-1994. Two years after reopening, in 1996, the name was copyrighted as “Bar Hemingway Ritz Paris.”

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the first menu of the newly reopened bar in 2016

Located on the very backside of the hotel, it is most easily accessed from a small side street. But I like to enter via Place Vendôme, through the front door of the Ritz, where there are uniformed doormen. Walking down expansive high ceilinged hallways past splendidly decorated rooms where tea or drinks or food is served, I peek into display windows of the high-end shopping gallery. Turn another two corners, go down several steps and walk in the door of a cozy, wood-paneled room.

Minimal changes were made here during the renovation. Woodwork was stripped and refinished and new lamps were added over the bar. The Hemingway paraphernalia is all there–books, magazine portraits, photographs with wives, friends, and dead animals, a black Corona typewriter like the one he used, a long barreled hunting rifle behind the copper bar, fishing rods, a boat propeller, and a bronze bust of his head.

Sometimes I would go with a girlfriend or two when it opened at 6 PM, other times with my husband on a weekend. But if I wanted to ask questions and learn more, I went by myself–sliding onto a barstool to talk with head barman, Colin Field.

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colin behind the bar

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white bordeaux and a seat at the bar

What is it that draws crowds of people every day to this little piece of real estate tucked into the backend of a high-class hotel? Is it romanticized lore of Hemingway’s life in Paris–from marriages to Hadley and Pauline in the 1920s, to working as a WWII correspondent in the ‘40s, a short-lived third marriage, spiced with competitive friendships and raucous fights with other painters and writers of the time? Or is it because of the drinks, many of which are original and creative but, at the same time, over-the-top expensive?

I believe Bar Hemingway’s current popularity continues to be about ambience and lore and cocktails, with the added garnish of Colin Field’s 24 year history there. His amiable personality, professional bartending and management skills, and vast anecdotal knowledge of famous past patrons have kept it high on the list of iconic places to visit.

In 1994, Colin was hired to reopen the Hemingway Bar [before the name change and after the twelve-year closure]. In the beginning, as the sole employee, he did everything single-handedly. But, he added a twist–keeping the bar open until 4:00AM when all the others closed at 2:00. During times when it was too busy to manage alone, he recruited regulars to help–answering the phone, greeting and seating customers, taking orders. In exchange, their drinks were free.

Opening night, August 25, 1994, happened to be the 50thAnniversary of the liberation of Paris in WWII. Jack Hemingway [son by Hadley, father of Margaux and Mariel] was invited and came for the party. It turned into a bash. People dressed in GI and MP costumes. A full line-up of army Jeeps was staged along the street outside. Chaos reigned inside. Hemingway would have loved it.

These days, there are five or six employees who serve a regular flow of clientele seven days a week from 6:00PM until 2:00AM. Colin continues to hold court behind the bar, chatting up customers and blending new drinks.

Shortly before our departure from Paris, I met friends at Bar Hemingway on a clear summer evening. They invited me for a final good-bye drink.

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kandice and sally

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“new age caipirinha”, a lime smoothie plus

Conversation flowed as we reminisced about shared experiences and future plans. We mused about hiking together in Portugal and Spain on the Santiago de Compostela trail a couple years before. And then, after two drinks, it was time to part ways. Walking back through the corridors of the Ritz, we stopped outside to say good-bye on Place Vendôme.

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napoleon atop column vendôme, paris

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There is never any ending to Paris and the memory of each person differs from that of any other. 

We always returned to it no matter who we were or how it was changed or with what difficulties or what ease could be reached. 

It was always worth it and we received a return for whatever we brought to it.

–E. Hemingway

Like Hemingway, Paris doesn’t end for me because I no longer live there. When I return, it will be with the happiness of years of wide-eyed discoveries, friendships for life, and the realization that…I will always be coming home.

 

 

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Cow Seduction

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When people hear that we are leaving our home in France after eight years, one question that invariably follows is, “What will you miss most?” My answer is not what they expect to hear.

What I will miss most are Norman cows.

Specifically, those geographically situated cows that graze on the sweet green grass of Normandy and produce the most delicious and most flavorful butter in the world.

IMG_8469“Oh, don’t worry,” people will say, “you will find other good butter wherever you live.” I don’t think so.  All butters are not the same. Neither are cows.

We have traveled to both upper and lower Normandy innumerable times during the past thirteen years while living in Germany and France. My first trip to the Normandy beaches and WWII sites was when we were living in Germany. During that excursion I had a personal epiphany to learn French–to use the local language every time we traveled to this region of northern France where we fervently loved the history, the solid stone architecture, and the people. [Story of D-Day 70th anniversary here: The Unexpected in Normandy]

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WWII history commemorated all over Normandy

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American Cemetery Colleville-sur-Mer

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stony norman architecture

Eventually we moved to Paris and I did learn passable French. Soon after came the discovery of how butter from Normandy transforms nondescript food, like breakfast toast or potatoes or steamed vegetables into something noticeably scrumptious. I fell hard for the crunch of sea salt crystals in butter-with-a-real-buttery-taste on otherwise dry or bland food. Now there is no turning back. I have been known to carry salted French butter home to Colorado, frozen, in an insulated container tucked deep inside my suitcase.

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two favorites: but the very best is with sea salt crystals that crunch in your mouth

One weekend trip to lower Normandy, we stayed in an historic, privately owned château. It is also a bed and breakfast, with a fine dining room, which helps pay the taxes and upkeep on an ancient estate.

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chateau in basse normandy

There were wineries to visit and sites to see each day, but we constantly veered off onto pot-holed, muddy dirt roads to pay homage to cows. Just cows–grazing and standing around in fields. I wanted to study the source of my butter obsession, close up, in their natural environment.

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During the Germany years, we belonged to a weekend hiking club. Every Sunday morning we traipsed off, en masse, through forests, hills and vineyards in the countryside. I laughed at a friend who stopped to take photos every time a cow was in the landscape. When I asked why, he said, “I don’t know. I just like them.”

Well, now I like them, too, but for a reason. They give something special back because of being these cows. Norman cows are raised only for dairy. They roam. They eat nutrient flora and grassy greens in the hills and marshlands of the rolling countryside. They produce milk that is heavy and smooth. The fatty milk cream is buttercup yellow and makes butter that is sweet and memorable.

Why is French butter so irresistibly different? Two things. One, it often has a higher fat content [87%] compared to American butter [80%]. And secondly, the real secret behind the fineness of French butter is the way it is cultured.

Cream, separated from the milk, is allowed to ferment before it is churned. Thus, bacteria forms, sugar converts to lactic acid, and the result is a distinguishably creamier, velvet-ier, butter-ier taste.

American produced butter uses only pasteurized [uncultured] milk cream. The French, dedicated to quality, refuse to bypass the fermentation step.

Before industrialization all butter was produced the French way, in small batches, using natural fermentation. As the heavier cream rose to the top of the milk, it was skimmed off and stored until there was enough to churn. That was how bacteria got in and “cultured” the cream. It resulted in a taste that was “ripe” and very delicious.

When I was a child, my paternal grandmother kept one milk cow on her farm. I saw how the yellow cream rose thickly to the top of a container of fresh milk after it sat awhile. I don’t remember any butter churning, but she used that cream to pour into coffee or to make desserts like strawberry shortcake with garden picked berries and a dollop of fresh whipped cream.

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Today, with mass production, there is no skimming by hand and waiting around for natural processes. Cream is spun out of milk via machines. However, in France, a lactic acid producing culture is added to the separated cream and fermentation still takes place. The resulting butter taste is fuller and, to some, even a “nuttier” flavor.

It is well known that the French are extraordinarily fond of butter. Culturally they take it very seriously, and it is not lightly squandered. One vivid example occurred during my slightly quirky two-month tenure assisting a female chef with cooking classes in her Parisian apartment. I functioned as the prep and clean up person during a gap before a new student intern arrived to do the sludge work.

One day, as she was demonstrating her no-bake-tart-pastry recipe, an entire brick of opened butter fell off the counter. She stepped in it with the heel of her kitchen shoes, almost skidding to the floor, but grabbed the counter edge just in time. Without missing a beat, she told me to pick it up and “clean it”.

She carried on with class while I “cleaned” the butter with “beaucoup de paper towels” as that was the only method I could think of. [No suggestion was offered.] Only a sliver of butter remained when I thought it was “clean enough”. After sculpting it into a small ball, I set it out of sight.

During 2017 there was a lot of published hype about a calamitous butter shortage coming to France. It was and wasn’t true. Because of a shortage in raw materials, for a time, there was a supply problem in grocery stores. Concurrently, exported sales increased as the Chinese decided they loved pastries made with French butter. In America, sugar had shifted to being the dietary enemy so butter demand increased across the Atlantic. Fears of mass shortage did not transpire but my restaurant friend, Laurel Sanderson, did stockpile for several months because she is so dependent on mounds of butter for her baked fresh daily southern biscuits, cakes, and savory tarts. [Story of Laurel and her resto: Treize–A Baker’s Dozen, Paris]

Norman cows also produce milk for Camembert–the most famous cheese of the region. The village of Camembert resides in basse [lower] Normandy. The story is that in 1791 a Norman farmer, Marie Harel, while following the recipe from a priest who hailed from Brie, made some slight changes and improved it. Camembert was born.

Camembert de Normandie is a protected designation of origin. With this stamp, it can only be made from raw, unpasteurized milk from les vaches Normandies [cows from Normandy].  It is soft, with a fine rind covered in a “white duvet”. It is at least 45% fat, with a pungent aroma and stronger taste than Brie. When warmed it becomes even creamier and can be used as a dip for raw vegetables, potatoes, or bread. I serve it this way as an appetizer or light supper. It is typically sold whole, in rounds, inside thin wooden containers made of poplar. [How to make and serve baked camembert: “Not a Station, but a Place”–Paris to Avignon]

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thin rind with a white duvet covering

There are many things I remember after more than a decade living, learning and experiencing European life. There are adventures, travel, and friends to reminisce about, food, wine, and restaurants to recall, even exasperations or faux pas to laugh [or write] about.

Still, at the top of my list is “mes vaches Normandies”–those fabulous “buttah-making” cows that touched my senses and tastes in a forever kind of way. Always in anticipation of the next petit dèjeuner of good, wholegrain toasted baguette smeared with a melting pool of butter and sea salt crystals.

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Ogden Nash, the American poet of light verse wrote, “Cows are of the bovine ilk: one end is moo and the other milk.”  Factually and humorously true. But all cows are not the same.

I happen to have been seduced by the Norman ones.

 

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there’s no place like home–in normandy

 

Hack #4: Care About Cast Iron?

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cast iron skillet with lid–before seasoning

A solid Dutch oven, a cast iron skillet, and an excellent knife with a fine blade–the good life.Anonymous

Cast iron cookware is one of the things to have in your life–but only if you love it.

An iron skillet is a link to the past [one of the oldest cooking tools in any kitchen], relevant to the present and can be passed into the future. It connects you to the people who used it before–to the everydayness of their lives.

Cast iron is durable on top of the stove and inside the oven. It retains the flavor of foods cooked in it and is considered to be superior for cooking in general. Cast iron grabs heat and holds it. It is not Teflon, something you throw away when it becomes scratched and used. Cast iron will outlive you and begs to be passed on.

There aren’t many things in modern life that are passed down through generations and remain both beautiful and useful. –Ronni Lundy, historian of Appalachian food

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vintage cast iron, seasoned to the sheen of glass

Older cast iron is considered by purists to be superior. It is made with higher quality raw materials and the interior surfaces are smoother. A good vintage pan will be completely black in color and almost glassy in the texture of its’ interior surface. Seasoned right it becomes nonstick. Pitted surfaces on newer cast iron allow food to stick. It’s also more difficult to season.

Several summers ago, I met “Cast Iron Don” in an antique mall in Saugatuck, Michigan when my daughter and I were on a mom/daughter getaway. Don is a consummate collector of vintage cast iron, owning more than 100 pieces. He uses two.

Don offered a wealth of cast iron history and information when he spotted my interest in a marked “Griswold, Erie, PA” skillet for the reasonable price of $17.00. He said it was the best-priced-name-brand-cast-iron-piece in the whole market.

Cast iron cookware was made in the U.S. from the 18th century to the first half of the 20th century. Griswold, Wagner, and Sidney were brand names casting pans in foundries, which also made farm tools and weapons. Each piece was poured and polished by hand which took hours of human labor, but produced a notable difference. They were lighter, thinner, with a smoother interior.

Today, some cast iron pans are being made this way but, with labor costs as they are, prices are in the hundreds of dollars for a contemporary artisanal skillet. For the fun of a treasure hunt you can find vintage cast iron in your relatives’ kitchens, garage sales, estate auctions or flea markets at a fraction of the cost of anything new. Many of them will already be seasoned.

Well-seasoned cast iron is the equivalent of a broken in pair of well-loved jeans. This is what makes it both beautiful and utilitarian.

Cast iron is porous. To make a nonstick cooking surface it needs oil for protection. Seasoned correctly, oil bonds with the iron pores. When exposed to heat, the polymer chains link and form a durable, slick coating surface.

Back in Michigan, “Cast Iron Don” has refined his own techniques for rehabbing antique ironware. However, I don’t recommend any of his rather dangerous methods. Vats of lye, boiling water, hoses, and protective wearing apparel require a lot more time and caution than most consumers need to muster.

Rusted or mistreated skillets can often be restored with a simple steel wool scrubbing before re-seasoning. Or, use coarse salt mixed with oil and rub mixture around with a paper towel. For a super tough buildup of dirt and grime, place pan in a self-cleaning oven for one cycle. Sediment flakes off and can be wiped away.

After cleaning, the important next step is to season cast iron.

  1. Animal fat! Use lard, bacon grease or Crisco. [Do not use vegetable based oils because they leave a sticky residue and you have to start over.]
  2. Coat the entire surface including edges. Place upside down in 500 F. or 260 C. oven over a piece of foil. Bake 1 hour 15 minutes.
  3. Cool gradually in oven with door ajar. Once thoroughly cooled, wipe off any excess oil.

Cast iron always needs to be cleaned properly.

  1. Do not soak in water, put in dishwasher, or use soap.
  2. A hot water rinse using a stiff brush to clean off residue will keep seasoning intact. If necessary, use a small plastic scraper first.
  3. Dry completely. I always air-dry, but my daughter puts her cast iron on the stove over a low flame, briefly, to evaporate water.
  4. If necessary, wipe with a thin coat of oil and buff with paper towel.

Use your cast iron often. For everything! Consider it an heirloom to be passed on and on and on from generation to generation. Embody it with your own family’s cooking lore. Someone else may get a taste of it down the road…

Two classic cast iron skillet recipes:

DUTCH BABY, SWEET

  • Start with ingredients at room temperature.
  • In a bowl, whisk together 3 large eggs.
  • Then whisk in ½ C. flour, ½ C. milk, 1 T. sugar, ½ tsp. vanilla, and a pinch of nutmeg and salt.
  • Melt 2-3 T. butter in 10-12 inch cast iron skillet by placing in oven at 425 F. [220 C]. Watch so butter doesn’t burn! As soon as butter melts, pour in the batter.
  • Bake for 15-20 minutes until puffy and golden.
  • Cut into wedges and serve immediately with choice of toppings: maple syrup, confectioner’s sugar, confiture [jam], cinnamon sugar, or fresh berries.
  • Makes an excellent, light, breakfast pancake.

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with confectioner’s sugar topping

DUTCH BABY, SAVORY

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dutch baby savoury ingredients in kitchen window with a view

  • In a large bowl, whisk together 1 C. + 2 T. flour, ½ tsp. salt, ½ tsp. pepper.
  • In a separate bowl, combine 8 large eggs and ¾ C. whole milk.
  • Whisk wet ingredients into dry until just combined.
  • Stir in 2 T. fresh thyme, 2 T. minced chives [or parsley or tarragon].
  • Melt 2-3 T. butter in 12-inch cast iron skillet until it smells nutty and brown. Swirl to coat sides and bottom of pan.
  • Pour in batter. Scatter ¾ C. freshly grated Gruyère or Parmesan cheese over top.
  • Bake 15-20 minutes at 425 F. [220 C.] until puffy and golden.
  • Serve with lemon wedges and Siracha sauce. Both add a lot of flavor!
  • Perfect brunch or hors d’oeuvre dish.

The Grown-Up Table

Long ago, M.F.K. Fisher [1908-1992] wrote about the art of good eating in one of these combinations: “one person dining alone, usually upon a couch or a hillside; two people…dining in a good restaurant; six people…dining in a good home.”

Fisher suggests that six people, together in a private dining room, form the ideal dinner party combination. The reason is simple; that number engenders the best conversational banter.

The six should be capable of decent social behaviour: that is, no two of them should be so much in love as to bore the others, nor at the opposite extreme should they be carrying on any sexual or professional feud which could put poison on the plates all must eat from. –mfk fisher

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dinner for six, chez bentley

Her other requisite for a memorable party is to make the usual unusual, the ordinary extraordinary. In other words, when inviting people to your home, be playful and sometimes mix up expected rituals or habits.

I still believe…that hidebound habits should occasionally be attacked, not to the point of flight or fright, but enough. –mfk fisher

 During our years of living overseas, we have been both frequent dinner party guests and hosts in various countries and cultures. Our own rituals evolved from naive beginnings. But we improved with creativity, time and practice.

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sunday pizza night–courtyard oberursel, germany

When we first began to invite guests for dinner, I needed guidance to learn and perfect one decent dish to cook. [Two Non Cooks Saved by the Brazilians] After that, I shifted into doing-everything-mode; the guest list, menu planning, shopping, prepping, cooking, creating the ambience, serving and finally…retreating into a Zen moment of clean up.

Gradually, and gratefully, we changed our entertaining routine. My husband began cooking for dinner parties. He planned menus, shopped for ingredients, selected the wine, did most of the cooking and serving.

Left to my preferred activities, I prepared the table, carefully, on the day. Sometimes layering antique linens that belonged to my mother and grandmother. Filling tiny vases with small flowers or vines, alternating them with candles down the middle of the table. Scattering glass beads randomly, to reflect the candlelight.

Later, when echoes of departing guests drifted away, I stayed up late to put the kitchen in order, listening to favorite tunes. Then, lights off, I sipped a last bit of wine as candlelight faded in the living room, recalling the best parts of the evening.

My current mentor of all things culinary is Gabrielle Hamilton, owner and chef of Prune Restaurant in the East Village, New York City. Her memoir, Blood, Bones, and Butter, was a gift to me several years ago by my daughter. Since then, I have gone to Prune every time we find ourselves in NYC. Twice, late at night, I have seen Gabrielle climb the stairs from the basement kitchen and hurry out the door as diners lingered over conversation and dessert. Once, she stopped to briefly say hello and signed a copy of her book.

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Prune Restaurant, East Village, NYC

I have read Hamilton’s description about the art of a grown-up dinner party. Her words depict not only a vision of a perfect dinner but some advice for the perfect guest, too. It is a highly desirable life skill to embody the role of a good guest.

Gabrielle’s words from a NYT series of articles published October 2017 are in italics preceded by her initials, GH, followed by my thoughts and experiences.

GH: To me it has always been clear that a dinner party is about what is said, not what is eaten. There would always be wine and salad and bread and stew: chocolate and fruit and nuts and sparkling cold duck. But those were just the props — the conduits for funny and real and meaningful conversation; the set pieces of a lively, engaged, lingering old-school dinner party. The one that I have been chasing ever since…

WCU: I believe the best dinner parties are the ones you think about in the wee hours afterward. When guests have departed, before candles have been snuffed and you tumble into slumber, there are precious moments of remembering everything from mishaps such as trying to cut into underdone chicken breasts rolled in pistachio nuts or our friend Alec’s chronic clumsiness [Taiwan Green-Marble Pesto] or the philosophical exchange of ideas during a group study of Joseph Campbell’s Power of Myth interviews with Bill Moyer. For me, this is the way a good party night should end–in a quiet, candle lit room reflecting on the communion of spirits present around the table hours earlier.

Conversely, if you are a guest, “debriefing” is the perfect transition while you head home. Once, in a taxi, we laughed long and hard about an awkward departure where we were suddenly offered orange juice on a silver tray followed immediately by our coats. Buh-bye now.

GH: …But there were always, also, a couple of guests who knew exactly what to do. Who never arrived too early but allowed you a 10-minute breather just past the hour they were expected. Who never just plopped their paper cone of bodega flowers on the kitchen prep table in the middle of your work but instinctively scanned the cabinets for a vase and arranged the gerbera daisies then and there. They found the trash and put the wrapping in it, leaving your counters clean and your nascent friendship secured for eternity. When less-experienced guests arrived, those perfect friends guided them quickly to the bedroom to stash their coats and bags so they wouldn’t sling them willy-nilly over the backs of the chairs at the dinner table I had spent a week setting.

WCU: There is cultural variety in correct “arrival times” at dinner parties. Americans are almost always exactly on time, unless they follow Hamilton’s ten-minute rule. Europeans generally adhere to a 20-30 minute-late rule. They also thoughtfully send flowers in advance so there isn’t the scurry to trim stems, arrange, and find a vase while other dinner prep is going on. I love this idea. But if you haven’t pre-planned, then be the guest who knows how to put flowers in a container without leaving a mess.

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GH: I’ve always been against the insistent, well-meaning cleanup brigade that convenes in the kitchen before anybody has even digested. Those people who are pushing back their chairs and clearing the dessert plates from the table just as you are squeezing the oily tangerine peels into the flames to watch the blue shower of sparks, who are emptying all the ashtrays just as you are dipping your finger in the wine and then running it around the rim of your wineglasses to make tones like those from a monastery in Tibet. When I invite you over, I mean it. I mean: Sit down. I will take care of you. I will buy the food and get the drinks and set the table and do the cooking, and I will clean up after. And when I come to your house, you will do the same. I will get to have the honor of being a guest. To perfectly show up, 10 minutes after the appointed time, with a bottle in hand for you, to bring my outgoing, conversational self, my good mood, my appetite, and to then enjoy all that is offered to me, and to then get my coat at the very end and leave without having lifted a finger. It is just the greatest thing of all time…

WCU: This is my pièce de résistance, the centerpiece of all parties. I truly believe that invited guests should be the King and Queen of Everything. They should not clear plates or stack dishes or put away leftover food or wipe kitchen counters. They have been invited to be taken care of, to feel special. A guest need only bring an appetite, a good sense of humor, and their best “conversational self”.

GH: …The dinner party now depends more than ever on having one frequently, offhandedly, with abandon. If there are only eight seats and you know a few are going to end up with someone who’s got his head down to check his phone every 20 minutes, or who will be drunk on red wine by the salad course, just think of next month. To know that there will always be, for you, month after month, year after year, decade after decade, a well-set table and a roast and a salad and still, always, the wine, is to know that you are always going to find along the way another perfect friend, and then yet another.

WCU: About the wine…In Taipei, we had an experience that clearly marked cultural differences around wine and a meal. Seated in the dining room of a Chinese family home, the first bottle of red wine was a 1953 Château Lafite Rothschild which had been “breathing” on a side table before gently poured into each glass. A brief toast, then the tasting which was velvety, delicate and delicious. There was a pasta course generously garnished with white truffles our host had imported from Italy. He proposed another toast. This time he held his wine glass with both hands and looked directly at my husband, who followed his example but held his glass slightly lower to show respect. They executed a perfect “ganbei”, the Chinese toast of draining glasses until empty. It was a time-and-place cultural experience, but a bit tragic, too. This old vintage Bordeaux wine, which we were privileged to drink once in our lives, was downed like a beer on a hot day.

At our own formal dinners we like to announce each course as it is served, giving a little description of ingredients or preparation. It’s a quirky ritual, but seemingly enjoyed by guests. We also begin the meal with a toast. One of my well-used ones originated from home cook and author, Laurie Colwin, “One of life’s greatest pleasures is eating. Second to that is eating with friends. And for an unsurpassed double whammy, there is talking about eating while you are eating with friends.” Cheers and bon appétit.

A dinner party doesn’t require formality. As Hamilton says, throw them often, even with reckless abandon. It’s about getting people together. We often entertain by making homemade pizza topped with arugula, served with champagne for Sunday night supper. There could be placemats instead of tablecloths or bare wood with a colorful Asian tapestry running down the table length. Candles always. [Kindle Some Candlelight]

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family style, at the cabin, estes park

GH: …Set the table. Arrange the chairs. Even if you can now afford real flowers, trudge across a field for a morning anyway collecting attractive branches and grasses to arrange down the center of the table — it will put you right. Roast the rabbits and braise the lentils, and clean the leeks and light all the candles. Even now, someone may get a little lit on the red wine and want to do a shot. But that may be just what your dinner party needs…When your kids come downstairs to say good night, give them a glimpse of something unforgettable.

Our children are adults now and the best ones to tell what they remember about growing up overseas. Yet, I believe they might recall coming home from their own night out with friends to a dining room full of adults well known to them, backlit with candles, open bottles of wine, empty dessert plates and coffee cups and, always, the lingering aura of good friendship and conversation around a table.

I can’t say whether this memory is unforgettable to them. But, to me, it is imprinted forever–the communion of good people around a grown-up table.

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Excerpts from “The Grown-Ups’ Table” NYT, Oct 26, 2107 [The Art of the Dinner Party]Gabrielle Hamilton, owner Prune Restaurant

 

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the best dining room view in the world

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dinner chez tennis/hewitt, athens, greece