“Not a Station, but a Place”–Gare de Lyon and Le Train Bleu, Paris

Soon after we moved to Paris I sought out this “Place” M.F.K. Fisher wrote eloquently about as being more than just a train depot for entering or exiting the city. She was referring to the Gare de Lyon in the 12th Arrondissement. I wanted to know why it was so special.

Fisher’s experience on French trains began in 1929 when she moved from California to Dijon. She described herself in the early years as “…always one more ant scuttling for a certain track.” Then, in 1937, while waiting for guests to arrive, she sat under the enormous glass roof in a trackside café with marble tables and green trees planted in boxes. With a brandy and water in hand, absorbing her surroundings, she was suddenly overcome by a feeling that she “was not in a station, but in a Place”. From then on, she made it a habit to arrive early–with time to wait.

In the 1960s and early ‘70s, after children and husbands and lovers were long gone, she was often sent to Provence on writing assignments. Her publishers encouraged her to fly south from Paris. Memories honed decades earlier meant she preferred the “Mistral” train from Gare de Lyon to Marseille or Aix-en-Provence.

She developed the habit of arriving at least two hours before departure. This allowed time to ascend the wide stone staircase to the second floor restaurant–Le Train Bleu. When you spin through the revolving wood and glass door, then and now, it is like walking into a time capsule from La Belle Époque. Instinctively, you stand a little taller and walk a little more gracefully to your table.

In 1900, Paris was hosting a second world’s fair. As part of the preparation, a new train station, Gare de Lyon, was designed to highlight the railway lines of the PLM [Paris-Lyon-Marseille] Company from Paris to destinations in Provence and the Côte d’Azur on the Mediterranean. The company also wanted a prestigious and elegant restaurant to symbolize travel, luxury and comfort.

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gare de lyon today

In 1901, Buffet de la Gare de Lyon first opened its’ doors amid sumptuous art nouveau décor. Ornate carvings, moldings, gilding, and imposing chandeliers highlighted frescoes and murals of cities and scenery viewed from PLM trains as they headed south and east. The restaurant offered tranquility, character, and a place for travelers to spend a refined break. In Fisher’s words, it was “all that was opulently cheerful, generously vulgar and delightful about la Belle Époque.”

In 1963, the restaurant was renamed Le Train Bleu in reference to the French Riviera destinations.

Fisher’s early arrival gave her the luxury of time for a leisurely breakfast or lunch. In the 1960s, she believed that the fresh bread served in Le Train Bleu was the best she had tasted since before WWII. For petit déjeuner she always had “bread and butter, Parma ham, and a half-bottle of brut champagne…”, which she thought a bit expensive, but enjoyed all the same.

If lunchtime, she started off with a Kir and wine cocktail, followed by some kind of soufflé and fresh berries for dessert. Oh–and a half bottle of white wine–Grand-Cru Chablis. She liked her grown up drinks, having adapted easily to the French way.

Interestingly, Fisher played a role in the longevity and preservation of Le Train Bleu. By the early 1970s, the paintings were filthy with soot and pollution, gold leaf was flaking from the ceiling, the lace curtains hung in tatters and, underfoot, the flooring creaked and sagged. She was told by a group of worried waiters that the restaurant’s survival seemed doomed. She relayed all this to an American friend, Janet Flanner, who was also her neighbor. Flanner, a longtime journalist and Paris correspondent for the New Yorker magazine, went directly to the French Minister of Culture at the time. Le Train Bleu was designated an historic monument in 1972.

Since that time there have been many renovations, the most recent in 2014. Parquet floors were insulated and shored up, paintings re-cleaned, carved moldings refinished or repainted, brass coat and luggage racks polished, and leather banquettes refurbished. The name over the door was updated from neon lights to a chic metal plate.

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neon sign pre 2014 renovation

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and after renovation

The antique Big Ben Bar from 1901 is used today as a decoration piece and stands imposingly by the swinging glass doors to the kitchen. The original cash register is there too.

There is not one corner or wall, ceiling or chandelier, archway or window in this special Place that doesn’t grab your attention or overwhelm your senses. Every time.

These days, the menu is priced for upper-crust travellers, tourists, or well-heeled Parisians. But because it is such a Place, truly unlike any other, it’s always worth it.

Recently, I went for lunch by myself. Timed perfectly, I arrived near the end of the service, around 2:00 PM. On this cool, autumn day I decided to try the made-in-house foie gras served with rhubarb chutney and grainy toast, green salad and a glass of Montrachet white wine–from Burgundy.

When I dine alone, the pleasure is subtle and personal. Not everyone feels this way. But, over time, I have fine-tuned the ability to “disappear” in public and enjoy everything around me as if I were invisibly dropped into the scene. It is an example of cultural learning from which I have benefited greatly.

Fisher sometimes spoke of moving like “a ghost” in her travels, seemingly invisible to others, often because she was wrapped up in one of personal trials. I understand what she meant, but in a different way. For me, invisibility is a feeling of being completely content with my own company. And, at the same time, not taking anything, within the experience I am having, for granted. I observe and wonder, discreetly, without being the center of anyone else’s observations.

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view toward kitchen and big ben bar

On this particular day, directly in front of me was an opulent antique buffet with perfectly arranged wine glasses and the PLM [Paris-Lyon-Marseille] logo carved on the top piece. Above that, reaching up to the very high ceiling, was a colorful painting of Marseille.

As the tables to the left and right gradually emptied, I gazed openly through the window to my left onto the tracks and boarding passengers one floor below. I wondered where they were going, how long they would stay. Was it travel for business, pleasure, something mysterious or even sad?

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view toward the station tracks

To the right, down a long banquette of tables reset for another meal, sat two diners leaning in towards one another. They were silhouetted against the window overlooking the square at the entrance. Why were they lingering? What was their conversation? When you are invisible, all possibilities are imagined.

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Meal over, espresso finished, with no train to catch, I made my way home. Musing on the métro, my thoughts drifted to a weekend getaway my husband and I took from Paris to Avignon several months before–a trip that began in a place, not a station…

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Judith S. Clancy drawing, exterior façades, 1979

Living Both Sides of the French Coin


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At one time or another, almost everyone has been caught in some kind of bureaucratic nonsense, when you simply can’t complete a task because of missing a stamp, a chop, a signature, a photo or a form. These experiences come and go, wherever you live in the world. When this happens, it’s good to find a way to recalibrate, to feel glad to be in your life again.

I had just returned to Paris from two months in the U.S. First order of business was to exchange my old French SIM card for one to fit a new smart phone purchased over the holidays. It’s a pleasant ten-minute walk to our neighborhood telecom store where we have been customers for six years.

Stepping inside, the blast of overheated air was minor compared to the long queue of people waiting for service. Shedding coat and scarf, I settled in by staring at mute TV monitors rolling repetitious ads. A sign on the wall reminded everyone to behave courteously, at all times. Potential customers entered, assessed the non-moving line, and spun back out. A few lined up behind me. Ninety minutes later, it was finally my turn.

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I explained that I simply needed a replacement SIM card to fit my new cell phone. Account numbers were given. Alors, mais non! The account was not in my name. No transaction was possible without the account holder’s identity card. The “account holder”, my husband, was at work outside the city with his passport and carte sejour [residence card] in a briefcase.

I pleaded [courteously], in poorly phrased French, about how long and patiently I had waited, what an easy transaction it was. Surely the man could see our long-standing account on the computer. He agreed that it would only take 30 seconds to give me a new card. However, I must have the proper IDs. He raised his shoulders and arms in a shrug and pursed his lips. A very French gesture. And no further negotiation.

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Outside in cooler air, fuming over the silliness of French “rules”, I walked twenty minutes to another part of the quartier to buy a roasted chicken. The boucherie sign said “CLOSED”, until 3:00PM. Now annoyed and hungry, I decided to wait it out in an upscale brasserie around the corner. Although well known by everyone living in the area, I had never been inside. Unknowingly, upon entering the door, my reset button began to tick.

A man in a red tie and black suit greeted and then ushered me to a small table facing the door. It was laid with a textured white cover, starched cloth napkins, heavy silverware, and round-bowled bistro stemware. The menu was large and colorful with “CUISINE FAMILIALE ET BOURGEOISE” in bold letters.

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The menu covered a range of fresh seafood platters–oysters, lobster, shrimp, and crab–served on ice with lemon halves, brown bread and butter, or starters of salads and terrines, main courses of viandes or poissons [meat or fish], desserts of profiteroles au chocolat chaud, crème caramel, glaces and sorbets. Très French indeed.

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I chose two starters as a meal. OEufs durs mayonnaise is one of my favorites. Hard-boiled eggs with fresh, homemade mayo, garnished with greens. Followed by a salad of frisée, croutons, and bacon. A silver basket of sliced artisanal baguette was placed on the table almost immediately, along with a tall pepper grinder, a carafe of water and a glass of wine.

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It’s wonderfully easy in France to dine alone, any time of day or night. It’s also very comfortable. As a single diner you are rather ghost-like, invisible to others dining and talking with companions. I sipped red wine, relaxed into the back of the cushioned leather chair, and contentedly looked around. A layer of frustration began to melt away.

At the entrance, there was a long brass bar framed in wood. While the bartender busily prepared coffee or drinks, his eyes took in everything else going on in the room. Interior lighting was muted by wall sconces and chandeliers with pleated shades The floor was terrazzo, in beiges, browns and blacks, with flower accents in tiny mosaic tiles. There was a tall black urn with long stemmed red roses on a windowsill next to the bar. Thick curtains on brass rods and rings trimmed the lower third of windows along the sidewalk. Natural light streamed in above, allowing views of passers-by. Walls of burnished wood were decorated with framed, cartoonish café scenes.

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underfoot ambience

Servers wore traditional long black aprons over white shirts and black ties. They moved in fluid choreography; carrying food from the kitchen, unobtrusively refilling carafes of water, breadbaskets, or wine glasses at tables with standing silver buckets and cloth draped bottles.

A woman swirled in wearing a floor length fur coat, meeting friends already seated. An elderly man next to me was obviously a regular. His meal appeared without ordering, including an espresso at the end. He donned a fedora, slipped a newspaper under his arm, and departed with a handshake to the man at the door.

My food was served in two leisurely courses. I never felt hurried. Another layer of annoyance fell away.

By 2:45PM, the atmosphere changed. Diners drifted away and the bartender’s pace visibly slowed as he cleaned, polished and put away wine glasses. Servers casually cleared and reset tables, chatting back and forth to each other. A table of four lingered over a bottle of unfinished wine and what appeared to be an intense discussion.

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typical finale

I had long since finished eating, but remained sitting there rethinking the day’s events. Earlier, the tallied score had been Paris–1, Wendy–0, feeling defeated by narrow mindedness and lack of service. Several hours later, I had readjusted my attitude by simply doing a very normal Parisian thing–taking myself to lunch in a traditional café, blending in with culture and ambience that I both appreciate and love. La belle vie en France–c’est comme ça.

Final score: French bureaucracy-1, Wendy’s love for Paris-1. Not a tie––I won.

OEUFS MAYONNAISE [courtesy of Paris Paysanne]

  • 2 fresh egg yolks, room temperature
  • 2 pinches salt
  • 1/2 tsp. Dijon mustard
  • 1 1/2 cups olive oil
  • dash of H2O
  • drop of red wine vinegar
  • 1-2 hard-boiled eggs per person
  • Mâche [lamb’s lettuce] or greens for salad/garnish, cayenne pepper, optional

Preparation:

Whisk egg yolks together with salt and mustard until creamy and light in color. SLOWLY begin to add olive oil–a few drops at a time to start, whisking vigorously all the time as you go. It should become thicker as the oil is mixed in, but not liquidy. Add all the oil until it is finished. If it seems too stiff, add a dash of H2O and continue whisking. Finish with a drop of red wine vinegar and salt to taste.

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photo credit, Paris Paysanne

Cut hard-boiled eggs in half. Top with fresh mayo. Garnish with a sprinkle of cayenne pepper and greens as desired.

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photo credit, Paris Paysanne

Rocky’s Meadow Mountain Cafe

A year ago I wrote a story about my favourite Colorado hometown cafe. It was called “A Mountain Gem for 70 Years”.  A Mountain Gem for 70 Years  The owner, Rocky St. John, passed away right before Christmas. In tribute to her, I have revised my words with a few new photos. Over breakfast this morning, I spoke with her sons, Ben and Joe, who, along with their father, are keeping the cafe open in her memory. She trained them well.

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Allenspark, Colorado lies in a curvy bend off Highway 7, between Estes Park and the valley below. As you drive past the majestic scenery of Wild Basin and the backside of Long’s Peak, it’s easy to simply bypass this tiny town. But if you turn right onto the business spur, it’s probably because you know about Rocky’s Meadow Mountain Cafe.

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On a hillside halfway through town is a small green building with purple trim. Colorful buttons are mixed into the cement between the slate stone steps climbing to the front porch. The main room has knotty pine walls and an antique potbelly stove, radiating warmth. Shelves are lined with an eccentric collection of salt-and-pepper shakers. Local artwork is for sale on the wall. Behind this quaint façade is a long history of food, friendly service, and loyal customer relationships.

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It began in 1946 with a local character named Lil Lavicka. Known as the “Pie Lady”, Lil was famous for her homemade baked goods. As part of a divorce settlement, her husband hastily built a two-room cafe across from her tiny home. Lil’s Pie House flourished for twenty summer seasons.

Then, after several changes of ownership, Meadow Mountain Cafe was born. Breakfast and lunch became the daily fare. Food was fresh and home-cooked to order. Coffee was hot–with a touch of cinnamon. Consistently good food, friendly service, and reasonable pricing enhanced its’ reputation beyond the boundaries of the small community. Locals and tourists lined up for a table inside or on the covered porch, complete with hummingbirds, flowers and an overhanging pine tree. Lil Lavicka’s seasonal pie house evolved into a legendary year-round cafe with returning customers, who became friends.

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Roxanne [Rocky] St. John began waiting tables at Meadow Mountain more than 30 years ago. It wasn’t long before her cooking finesse and creativity nudged her into the kitchen full time. Rocky worked the grill for several female owners until finally, in 2007, she took over solo ownership. Already an established part of the ongoing success of Meadow Mountain, it was time to put her personal stamp on the place.

Rocky introduced two new house specialties–the veggie burger and the green chili sauce for huevos rancheros. Cinnamon spiked coffee is still standard, of course. She chose the outside paint colors and easy-on-the-eye peach walls for the kitchen. The button-inlaid steps were designed and built for safer access in all weather conditions. An herb garden was planted out in back. Inside, the eclectic collection of coffee mugs and salt-and-pepper shakers [always part of her style] continued to grow. Her kitchen blasting music-of-choice ran along the lines of Bob Dylan and Johnny Cash.

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We have been driving from our cabin in Estes Park to Meadow Mountain Cafe for more than 15 years. It never disappoints. It’s not meant to be fast food. You wait patiently and sip good coffee, talk leisurely. Perhaps you warm your back near the antique stove, muse over the salt-and-pepper collection, read a book or eavesdrop quietly on another conversation. You watch regulars walk into the kitchen to say hello. At a corner table, friends sit and play cards after their meal. A man at the counter leans his chin into one hand and dozes, holding a coffee cup with the other.

Orders parade out of the kitchen. Coffee mugs are refilled. Homemade brown bread, thickly sliced for toast or sandwiches, is baked twice daily in summer to keep up with demand. The scene is homey and multi-dimensional–from the diversity of customers stepping through the door to the din of country or rock-n-roll music pouring out of the kitchen. Conversation and laughter is spiced with the clatter of plates and silverware as tables empty and fill.

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beaded tapestry made by a friend of Rocky’s

What sustains this kind of success in a town of just over 500 people? Rocky, along with the women before her, crafted a timeless formula. It begins with an old-fashioned hard work ethic. It’s maintained by keeping quality high, service friendly, and community relationships strong. Rocky was passionate about what she did and consistently did it very well. And then, just maybe, that hint of cinnamon in the coffee didn’t hurt either.

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Rocky St. John, 1960-2015

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new step up to the cafe

La Bonne Rentrée in Paris

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August is the month when France goes on vacation. “La Fermeture Annuelle” is a tradition which originated in the early 1900s to provide paid time-off for factory workers. By 1982, laws were passed giving five weeks of paid vacation to all salaried workers.

From late July to the end of August, the city of Paris is quieter, the streets emptier, parking–not a problem. There are still tourists and some businesses remain open. But most small shops and restaurants are closed and shuttered as Parisians head for sunny beaches, country homes, and relaxation elsewhere.

Then comes September and “La Bonne Rentrée”. Schools reopen and sleepy summertime is over. By the end of the first week, streets and cafés are full once again. Curbside parking disappears for another year.

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un café timeout

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une bouteille de vin rouge timeout

La Rentrée is a time to reconnect with friends, re-establish routines and reacquaint to life in Paris.

One of my favorite returning rituals is to spend a morning at the “Marché aux Puces” at Porte de Vanves. This isn’t the biggest flea market in Paris or even the most famous. The gigantic market at Clignancourt, on the northern edge of the city, is where Woody Allen filmed scenes for his movie “Midnight in Paris”.

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I much prefer the smaller venue in the southern 14th Arrondissement. It lines only two streets, for half a day on Saturdays and Sundays, year round. There are professional merchants with covered tables and reserved spots. There are others who sell from a blanket spread on the ground. It’s both treasure hunting and people watching fun–crowded with locals and tourists.

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The entertainer,

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the daydreaming vendor,

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the watchful merchant,

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the consideration,

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the negotiation, and

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the transaction.

When looking for something special, like an antique enamel coffeepot for a story about Swedish egg coffee [An Egg in the Coffeepot, Oct. 4, 2014], I headed to the flea market. At other times, without a particular goal, I have stumbled upon useable finds such as porcelain towel bars or heavy glass candleholders or Japanese-occupation pottery plates which we began collecting in Taiwanese street markets twenty years ago.

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red is best

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japanese-occupation, circa 1895-1945, made in taiwan

Sometimes an excursion is rewarded with a beautiful signed vase or a framed picture for the wall. Or nothing at all.

Flea markets are recycled decorating ideas or collecting at its’ best. The sheer volume and range of objects astounds. Even keeping in mind the adage, “One man’s trash is another’s treasure”, it’s impossible not to be judgemental. Odd, quirky, eccentric, useful, cheap, expensive, collectible, colorful, playful, beautiful, strange, or simply weird. It’s all there, for a price. Bargaining is essential, bien sûr.

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The odd,

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the quirky,

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the eccentric, and

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the useful.

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The cheap, for a discerning eye,

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the expensive, and

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the collectibles.

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The colorful,

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the playful,

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the beautiful,

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the strange, and

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simply, the weird.

Most of the time I go to the Marché aux Puces for entertainment, to see what’s there, to eavesdrop on interactions between shoppers and vendors, to stroll along and muse over oddities with coffee in hand or, in winter, a cup of vin chaud [hot wine] sold at the corner kiosk. On a perfect day, the corner café features a temptable lunch offering.

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The adventure never disappoints. It’s simply a rentrée ritual to remind me that I’m back in my favorite city in the world.

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I. M. Pei’s pyramid

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A Mountain Gem for 70 Years

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Allenspark, Colorado lies in a curvy bend off Highway 7, between Estes Park and the valley below. It is situated within the Roosevelt National Forest and surrounded by mountains of the Front Range Colorado Rockies. As you drive past the majestic scenery of Wild Basin and the backside of Long’s Peak, it would be easy to bypass the business spur and keep descending the mountain.

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looking back on Long’s Peak from Hwy 7

But if you do make the right hand turn into Allenspark, it’s probably because you know about an historic hillside landmark halfway through town–Meadow Mountain Café.

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On the outside, it is painted green with purple trim. There is always a line up of cars parked below. An assortment of buttons are mixed into the cement and stone steps that you climb to the front porch.

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Inside, the main room has original knotty pine walls and a working potbelly stove for heat. Hand colored photographs by a local artist are displayed for sale.

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An eccentric collection of salt-and-pepper shakers line the walls.

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Behind this quirky façade, there is a long history of food and relationships that began in 1946, with a local character named Lil Lavicka.

Lil was known as the “pie lady”. As part of a divorce settlement, her husband hastily built a small two-room café where she could sell her baked goods. On this hilly spot, in tiny Allenspark, her pie house flourished for twenty summer seasons. It was just a stone’s throw across the street from a teeny house, where she lived into her 90’s.

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where Lil lived

Several changes of ownership and some 30 years later, Lil’s place was renamed Meadow Mountain Café. The menu became daily breakfast and lunch fare. Food was fresh and home-cooked to order, the coffee hot, with a hint of cinnamon. Consistently delicious food, friendly servers and reasonable pricing enhanced its reputation within the small community and radiated beyond. Locals and tourists began lining up for a table inside, or on the covered porch with hummingbird feeders, flowers and an overhanging pine tree. Lil’s seasonal pie house evolved into an Allenspark landmark with regularly returning customers, who eventually became friends.

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Roxanne [Rocky] St. John began waiting tables at Meadow Mountain in the late 1970s. Almost right away she was moved into the kitchen and continued to work the grill after two other women purchased it in the 1980s. Rocky finally took over solo ownership in 2007. It was time to put her personal stamp on the place.

Rocky is responsible for introducing the veggie burger and the incredible green chili sauce for huevos rancheros. Both became specialties of the house. Cinnamon spiked coffee remains standard, of course.

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a delectably fine lunch: veggie burger and sweet potato fries

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breakfast specialty: huevos rancheros with green chili sauce

She chose the current paint colors, including easy-on-the-eye peach walls in the kitchen and built the button inlaid steps for safer access in all weather conditions. The funky array of coffee mugs and salt-and-pepper shakers were always part of her style. The music that blasts from the kitchen is pure country western or rock-n-roll oldies. Son Joe mans the grill, daughter Alicia works the front, and husband, Danny, does whatever needs doing. It’s a full family operation, year round, with added help in summer. On Tuesdays, they take one day of rest.

We have been driving from our cabin in Estes Park to Meadow Mountain Cafe for more than 15 years. I go by myself, with family, or with friends, usually for breakfast, sometimes lunch. It never disappoints. It’s not meant to be fast food.

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You wait patiently and sip good coffee, talk leisurely. Perhaps you warm your back sitting at the counter by the antique stove, muse over the salt-and-pepper collection, read a book, or eavesdrop quietly on another conversation. You watch regulars walk into the kitchen looking for Rocky and to say hello. A table of friends play cards in the corner after their meal. At the other counter, a man leans his chin into one hand, and dozes, holding his coffee cup with the other.

Orders parade out of the kitchen. Coffee mugs are refilled. Homemade brown bread is sliced thickly for toast or sandwiches. Summer requires twice-a-day baking to keep up with demand. The scene is homey and multi-dimensional–from the diversity of people stepping through the front door to the din of kitchen music, mingled conversations and laughter, and the clatter of clearing plates as another table empties and fills. It always feels just right. You are glad to be hungry and in Allenspark.

What sustains 70 years of successful continuity in a community of just over 500 people? Rocky, and the female owners before her, perfected a simple yet timeless formula. Starting with an old-fashioned hard work ethic, they stay passionate about what they do and consistently do it very well. Quality is always high, service friendly, and customer relationships strong. And then, just maybe, a little hint of cinnamon in the coffee doesn’t hurt either.

I hope you have your own gem of a hometown café–a place with honest food, ambience, and feeling of community–where you seek to be nurtured over and over again.

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St. Catherine of Siena Chapel [Chapel on the Rock], St. Malo Conference Center, Allenspark, CO

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hand colored black and white photo of St. Catherine chapel, before the flood of 2013, purchased at Meadow Mountain

My Market Street

When our son made his first trip to Paris in 2008, he wryly observed that the city seems to be founded on the notion to stop, have a drink, and talk with someone every 50-100 feet. Café culture has been built into centuries of French history. Within almost any radius of where you stop walking in this city, a sit-down-and-take-a-break opportunity presents itself. Locals always have a favorite café in their neighborhood or “quartier”. Here, you take a load off your feet, eat, drink, talk, muse, or hang out. It’s also the best entertainment around.

When I told a French neighbor in our apartment building about my favorite ritual at a café on our market street, she simply nodded and said I had established my “poste d’observation”. Now that’s what I tell my husband when he calls wondering where I am. I’m involved in an activity of great importance–assessing the cast of characters on any given day. Sometimes, he hurries to join me.

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the beginning of market street

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where the ritual begins

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Of course, there are market streets all over Paris—open markets, covered markets, farmers’ markets, daily markets, bi-weekly markets, organic markets. The most important is the one nearest to where you live.

I often venture to market street in late afternoon to find what looks delicious for our evening meal. If, by chance, there is an empty table at my “poste”, I take it as a sign that I must sit down for a moment or two. In warm weather seasons, I count 11 businesses with sidewalk tables on this narrow street. For my musing and entertainment, I have pledged allegiance to only one. It’s on the corner where all the action begins.

There is a children’s book by Arnold Lobel called On Market Street. It tells the story of a little boy enticed by shopping on a particular street. He buys everything from A to Z, then trudges home carrying it all. That is my experience, too, because on this small pedestrian street is just about everything I want or need.

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chickens roast, flowers bloom

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inside the covered market stalls

Butchers, bakers, patisseries, florists, cheese purveyors, books, jewelry, fruit and vegetable vendors, grocery stores, crepes, caviar, oysters, homemade pizza and pasta, middle eastern food, cafés and restaurants, coffee, tea and chocolate, wine, champagne and liquor, Italian and Greek delicatessens, candles, household decorations, a pharmacy and a dry cleaner.

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pastry art

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Before opening my wallet for the day’s necessities, I settle into an empty chair. Greetings are exchanged with the server. I order a glass of wine. This varies by the season or time of day. On a warm day, Côtes de Provence rosé is standard. In cooler temperatures, a glass of Bordeaux feels cozier under the overhead heaters. Every beverage comes with a savory nibble on the side. Something salty and always slightly stale. Homemade potato chips are the standard limp offerings. Sometimes a tiny glass of pretzels fills in. It’s what I expect and is always perfect.

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standing order: rosé and stale chips

The tables on either side of mine are occupied. To the left—a couple moves seamlessly from kissing, to smoking, to drinking beer. To the right—two women of a certain age share a crepe sucré. One has coffee, the other sips beer. I give them only a brief glance because my gaze is focused on the cobbled path in front of me. This is where the rest of the world flows by.

Best times to be positioned at “the poste” are late afternoon or early evening. Sunday morning is perhaps the most perfect day of the week to make important observations. The parade is constant. It requires full attention. And never disappoints.

Sometimes I’m absorbed by the range of footwear–spiky heels, stylish boots, flip-flops, sandals, platform shoes, sneakers, orthopaedic shoes, even chic Italian shoes on a man with crutches.

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crutches plus cool shoes

Shoppers use rolling carts called “chariots” to hold heavy purchases. They carry armfuls of baguettes.

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Or they may be laden with flowers, wine, fruits and vegetables, roasted chickens, oysters or prepared food from the “traiteurs”. On Sundays, a cacophony of sound permeates the air. Parisians are picking up ingredients for lunch at home “en famille”. Vendors hawk produce, servers rattle glasses and silverware, babies cry, friends greet each other with kisses, dogs bark and fight, children laugh and run, sometimes on bikes or scooters, music plays. And always, people talk, talk, talk over everything.

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The sweetest sights drifting by are small children and dogs, completely at home in the hubbub.

 

Sometimes I notice someone watching me watching them. The ritual is recognized. Smiles are exchanged. The parade glides by.

As the wine and stale chips dwindle, I move on to the shops and my own errands.

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time to go

Trudging homeward with arms laden, I pass the chair I recently occupied. Someone else is sitting there–watching me as I walk by…

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On Market Street by Arnold Lobel, illustrations by Anita Lobel

“The merchants down on Market Street were opening their doors. I stepped along that Market Street, I stopped at all the stores. Such wonders there on Market Street! So much to catch my eye! I strolled the length of Market Street to see what I might buy…

My arms were full on Market Street, I could not carry more. As darkness fell on Market Street, my feet were tired and sore. But I was glad on Market Street, these coins I brought to spend, I spent them all on Market Street…

On presents for a friend.”

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illustration by Anita Lobel from “On Market Street”