One of my favorite M.F.K. Fisher quotes is this: Wine and cheese are ageless companions, like aspirin and aches, or June and moon, or good people and noble ventures. To this I would add another companion comparison from my own recent experience: children and ice cream.
In 1686, the first café in Paris, Le Procope, opened in Saint-Germain-des-Prés with a Sicilian chef at the helm. His recipe of milk, cream, butter and eggs, an early Italian gelato, made ice cream available to the general public for the first time. For centuries it had only been enjoyed by the aristocracy. Over in America, it wasn’t until 1790 that an ice cream parlor opened in New York. George Washington, Thomas Jefferson and Abraham Lincoln were known to have an affinity for this creamy icy treat. Ice cream’s reign as an indelible taste of summer is in the hearts of people around the world. Perhaps children most of all.
When I was growing up, the seasonal ice cream truck rang its bell through the streets of our neighborhood in St. Louis once or twice a week every June, July, and August. Parents doled out pocket change. We shouted and ran to the ice cream man who opened his portable freezer filled with drumstick cones or chocolate coated vanilla ice cream on a stick or ice cream sandwiches. It was a race to eat as fast as possible in the heat and humidity while trying not to lose precious drips on the way home. There was usually some kind of messy “plop” on the sidewalk which was left for the ants.
There are, of course, other foods typically consumed in the summer besides ice cream. Fresh corn-on-the-cob or s’mores made around a campfire are two of them. Food happiness, measured individually by expression, is certain to occur when delicious things are eaten by young children for the first time.
In April, we drove across two states to care for a two-and-a-half-year old grand-daughter and her eleven-month-old brother while their tired parents flew somewhere else for adult R & R. We brushed off muscle memory around the heavy lifting required with infants and toddlers. By the third day, it was time for a change of scenery away from the house, backyard, and front porch. Some kind of field trip.
Because of the previous fifteen months of shutdown life during Covid, I thought an outing for ice cream might be just the thing for young and unsuspecting palates. Also, it could be accomplished outdoors on a warmish spring day.
With the 2-year-old, things began with the anticipation of a drive somewhere new. There was curiosity to stand at a window, place an order, and be held up to see what was going on inside. There was eagerness when a cup of vanilla ice cream smothered in rainbow sprinkles was handed through the window. There was barely contained excitement while carrying it to a red iron bench and sitting down with a spoon and her own multi-colored delight.
While husband fed tiny tastes of ice cream to infant brother, the independent “I-dood-it-myself” girl spooned one transformative bite into her mouth. After one or two more she discovered a faster method.
It was the hand to mouth vacuum cleaner technique. Her eyes narrowed momentarily as the heady sensation of cold and sweet sank in. Both hands tipped the cup to vertical maximum.
There was a moment of selfish possessiveness as she huffily pulled away from brother’s outreaching hand. Letting the remainder of the icy creamy semi-liquid slide into her mouth, she paused to consider what had just happened. Then, with a smug and satisfied grin, what was left was an empty container and face, hands, and clothes covered in sticky.
The success of the outing was summed up in one final moment. It was the kind of moment that captures the best part of kids and ice cream. With a timely click of the camera, a small girl was framed in a spontaneous second of ice cream bliss.
…Every one of us is called upon, perhaps many times,to start a new life…to embrace onepossibility after another…that is surely the basic instinct…–Barbara Kingsolver, High Tide in Tucson
In 1989 Ray Oldenburg coined the term “third place” to define an essential zone separate from home and the people you live with [“first place”] and work [“second place”]. Third place is your hangout, an informal social space with no dress code and a welcoming vibe that invites you to return again and again.
A third place is also one’s anchor to community life. You are drawn to it because it is socially fun, playful, and light-hearted. It’s where you go to chew the fat, discuss issues, ventilate, play games, or get to know someone. It is “…where you relax in public, encounter familiar faces and make new acquaintances.”
Third place is like pitching a tent in your back yard. It is home away from home.
When life opportunities create a geography change and your third place is left behind, it’s important to find a new one. And if what you are looking for can’t be found after searching, a creative instinct might emerge “…to start a new life…to embrace one possibility after another”.
This is Kyle’s story. He grew up in Kansas, in the heartland of America. From the age of five, he began drawing images–people, animals and made up characters. Riding in the car during family vacations, he drew the storylines from books-on-tapes while the rest of the family listened. While still a high school student, Kyle knew he would pursue an artistic course of study at university. He graduated in Fine Arts and Graphic Design.
In 2006, Kyle’s first job took him away from home and long-term friends to Fort Collins, Colorado. He started out living in the basement of a relative’s house. It was isolating for a young man. He needed friends his own age and a place to socialize with them.
A booming craft beer industry was the catalyst for many microbrewery openings in Fort Collins. Kyle found his “third place”, along with a friendly social circle, in the evolving scene.
Later, in a widening circle of mutual friends, Kyle met Lara. They enjoyed camaraderie in the breweries, but also shared a strong sense of community service. Together they coached Special Olympic basketball and softball for disabled adults.
When Lara accepted a new job in another state, Kyle’s mother said, “I thought he would never leave Colorado. So when he followed Lara to Kansas City, I knew she was the one he would marry.” They did.
In 2014, the craft brewery scene in Kansas City, Missouri was not as mature as the one left behind in Colorado. Lara and Kyle searched but couldn’t find the informal, social environment they were looking for in their new hometown.
Creative “can do” instincts took over. Kyle had experimented with beer making in the past. Now he became serious, bought equipment, and began home brewing in the basement. He went to weekend fairs, gave away samples, and won some tasting competitions, too. Feedback was consistent and positive.
He read book after book about the chemistry of beer making, industrial brewing equipment, hops and grains and flavor additives as well as how to open a small business. He enrolled in the American Brewer’s Guild Intensive Brewing Science and Engineering program. The final weeks of coursework were on site in Vermont.
Kyle befriended local KC brewers by cold calling them. He volunteered to work one day each week to help them brew commercial batches. He gained knowledge and a warm welcome into the community of micro-brewers. By now an idea was actively fermenting.
Over the next couple of years, Kyle and Lara drafted a business plan, found real estate property to buy, cultivated investors, and a bank loan. In a former commercial garage space, Kyle designed a back-of-the-house brewery with a front-of-the-house taproom. Doing most of the interior construction, alongside family members who pitched in time and expertise, Lara and Kyle founded a craft brewery on the principle of creating a social community space and then giving back to it.
In early February 2018, Casual Animal Brewing Company opened its’ doors at 1725 McGee Street in the Crossroads area of downtown Kansas City, Missouri. Their signature motto is: “Laid back beers that tap into your wild side.”
Casual Animal runs eleven full taps. Each has its’ own beer style, name, and an original logo of Kyle’s design. Animals are a recurring theme. Names are metaphorically linked to the style of brew. Customer favorites include Chaos Monkey [a banana cream pie ale], to Honey Wheat light ale, Nomo Rhino IPA, Branch Out Stout, and Hop The Fence IPL.
rotating t-shirt and hat designs by kyle
brewery paintings by kyle
art graphic wallpaper
designed by kyle
Tying into Kyle and Lara’s commitment to community service, Casual Animal taps into the ethic of “giving back” by designating a rotating beer called Local Motive. The beer style changes quarterly along with the charitable organization the staff votes on to support. Two dollars of every pint of Local Motive sold is donated. In-house events promote the spirit of the current charity.
The most recent charity promotion was the Kansas City Pet Project, a nonprofit pet shelter that guarantees every stray animal a home. Kittens and puppies were brought into the brewery for customers to play with and cuddle. A completely contagious combination–adorable baby animals plus eleven beer styles equals fun AND donation success!
KC Pet Project nite
Unless you are a real brewer, all there is to know about the process of grain and hops and water turning into deliciously drinkable beer is the basics of what happens in Casual Animal’s back room. Inside a series of huge shiny stainless steel tanks, Kyle’s chemistry know-how is mixed with the help of fermentation, time…and recipe magic.
Hot Liquid Tank water is piped into the Mashtun Tank where grains are mixed together and cooked. Next, this mash up is transferred to the Brew Kettle where hops [and sometimes other flavors] are added. After time in the Kettle, the liquid is piped into the Fermenting Tank, leaving behind all the grain residue. Now yeast is added and fermentation begins. This takes approximately two weeks depending on the kind of beer. From the Fermentation Tank, beer is transferred to the Brite Tank for carbonation and clarifying. And finally, kegs are filled and stored in the massive walk-in refrigerator that feeds the taps at the front-of-the-house. 217 gallons of beer per brew.
dividing brewery from taproom
kyle on brew day
hot liquid tank
mashtun mixes grains with water
brew kettle where hops added
fermentation tanks plus one brite tank
grain residue inside brew kettle
cleanup takes longer than brewing
removing grain mash which is picked up by local farmer for animal feed
Cycle complete. As for the magic? Well, every time I sip Casual Animal’s velvety dark nitro stout, it’s easy to believe in magic.
When I asked Kyle to talk about his favorite beer tastes, he said, “Well, it depends on the day. On cold, snowy days, I would say smooth, slight malty sweetness, and roast-y to describe a tasty pint of Nitro Stout. Other days it might be an IPA with resin-y, fruity, and bitter characteristics imparted by the hops. Now, is anyone thirsty?”
There is passion and precision in Kyle’s word selection that describes every beer Casual Animal makes. That same passion speaks of a man who dreamed of possibilities and pursued them with intense preparation. And labor. And love.
The truth is, when Kyle couldn’t find his “third place”–he built one.
…Let me be a good animal today. Let me dance in the waves of my private tide, the habits of survival and love…–Barbara Kingsolver, High Tide in Tucson
Secret eating is seldom spoken about or easily admitted. If you ask most people what they enjoy eating alone, without sharing, they hesitate with a questioning look. Or mumble that they don’t know. It’s possible they’ve never experienced this solitary pleasure.
The desire to eat unobserved isn’t like bingeing on ice cream or sneaking candy bars to feed your chocolate craving. It’s not comfort food either. It is something you do surreptitiously, consciously, and quietly by yourself. It is a moment, by choice, of indescribable satisfaction.
A survey of extended family members about clandestine eating revealed only one answer close to my definition. It came from my daughter-in-law who is Latvian with Russian heritage. She formed a covert eating ritual as a child, from the age of ten. In the summertime, after her parents left for the evening, she went to the market by herself. She bought a huge watermelon with pennies saved or found under chair cushions. Lugging it home, she managed to cut it in two, carried half to the living room sofa, watched television, and ate it down to the rind. Spoonful by decadent spoonful. Including the seeds. She was not under the watchful eye of anyone, or told to get a plate, or to sit on the floor, or not make a mess. She did it quietly and happily, for her own pleasure.
M.F.K. Fisher [1908-1992] wrote a wonderful story about secret eating. It took place one frigid winter when she and her husband lived in an unheated walkup apartment in Strasbourg, France. They were depressed by the unending cold, dreary grayness and couldn’t afford to move. So they rented a room in a pension for one luxurious week. It came with a big bed, billowy curtained windows and heat.
Each morning after waving Al off to the university, Mary Frances sat in the window considering the day ahead. She wasn’t ready to brave the outdoor temperatures. While the maid fluffed up duvets and pillows, murmuring in her Alsatian accent, Fisher carefully peeled several small tangerines. Meticulously separating each orange crescent and removing all the white “strings” between pieces, she placed the sections on top of newspaper over the radiator. And forgot about them.
There was a long lunch when Al returned and perhaps a wee nip of “digestif” from the decanter on the dresser before he went back to afternoon classes. By this time the orange sections had majestically puffed up, ready to burst with heat and fullness. Opening the window, she carefully placed them in the snow on the outside sill. Several chilling minutes passed. Then it was time.
For the rest of the afternoon, Mary Frances sat watching the world go by on the street below, savoring each orange morsel slowly and voluptuously. She reveled in the spurt of cold pulp and juice after biting through the crackling skin that was like …”a little shell, thin as one layer of enamel on a Chinese bowl”. She mused while vendors sold half-frozen flowers, children ran home from school, and prostitutes sipped hot tea in a café across the way.
Winter’s early darkness descended and the orange sections were gone. She couldn’t exactly say what was so magical about them. Yet she knew that others with “secret eatings of their own” would somehow understand.
I read this story many years before we moved to Europe. The first winter we lived in Germany, I traveled by myself to Strasbourg on a train from Frankfurt. Next to Place Gutenberg is a small hotel where I stayed in a room under the roof. The spire of the Strasbourg Cathedral was visible when I stuck my head out the dormer window. The bathroom was at the top of an open staircase right under the peak.
That February was bitterly cold.
I bought a bag of small clementines, peeled them into sections, and laid them on a piece of hotel stationery on top of the radiator. Then I went out to explore.
When I returned, the oranges had grown fat and hot just as Fisher described. There was no snow, but the outside temperature was below freezing. Out on the sill they went. When thoroughly chilled, I ate them one by one in the dim afternoon light. It was true–the skins were crisp and crackling. So thin that, when you bit through them, there was a “pop” followed by the rush of cool juice and pulp. It was a replay moment from the pages of a story by a writer I had long admired. It made me happy.
Several years later, a new secret eating ritual started during a visit with “Dietitian Daughter” in Colorado. She was buying a snack item for her husband from the bulk bins of a national food chain. I watched her fill a bag with flattened, dull-colored, brownish-orange pieces of fruit. They looked run over by a truck. They were unsweetened dried mangos. Dehydrated into stiffened leather. She handed me a piece and said, “Try it”.
The first sensation was what it looked like–rough, tough hard-edged, with the taste and texture of dust on shoes. As salivary juices kicked in, that road-kill-looking mango became softer, warmer, and pliable. Careful considerate chewing brought out interesting changes. It turned vaguely sweeter but held onto the essence of fruity leather. I had to chew slowly, without hurrying, before it was ready to swallow. I had to pay attention.
The degree of subtlety from dry dusty toughness to a satisfying payoff several minutes later completely hooked me. I took my own bag back to Paris.
Now when I feel the urge, I go to the hiding place in the kitchen and randomly choose several pieces of dried mango. Then I stand or sit in a window of our apartment overlooking the vine-laden courtyard where I never tire of the view.
If I stand in the kitchen window during secret eating time, I might muse over the spring unfolding of the Virginia creeper vines or the work-in-progress renovations on the apartment across the courtyard. The neighbour’s cat might be outside on the balcony chirping wistfully at pigeons. If I choose to sit in the warm afternoon sun of the dining room windows, I have a private view of sky, rooftops, vine covered brick walls, and my own blooming geraniums.
Or, I might decide to stand in the street-side windows at the front of the apartment where I take note of pedestrians, shopkeepers, or a trumpet-playing street musician four stories below.
My secret eating is something I try to keep to myself. It gives me great pleasure and satisfaction. But what is it really? Like Fisher, I can’t exactly say. Perhaps it’s simply a meditative time-out, or a few private minutes of simply “being” and not “doing”, or a satisfying break in the midst of a day, a week, a month.
There must be someone out there who understands what I mean…